Genre: Americana, Irish Country, Folk
For Fans Of: Gaelic Storm, The Elders
Washington DC-based Scythian (sith-ee-yin) began over 12 years ago as a bunch of college buddies playing Celtic music in the streets and has grown to be a headliner on the US Celtic Festival Circuit as well as a name in the Bluegrass/Americana Festival Circuit.
They found that their brand of high-energy folk music found a resonance that led The Washington Post to state: “Scythian’s enthusiasm is contagious, and shows seem to end with everyone dancing, jumping around or hoisting glasses.”
For over 12 years they have found success as an independent band and have played over 1,300 shows all over the united states, Europe, Canada and as far aways as Australia.
Founded by brothers Alexander and Danylo Fedoryka who are first-generation sons of Ukrainian immigrants, Scythian from the start has been a search and love for the "old time, good time music" of many cultures. They were inspired by a tale told by their 92-year-old grandmother of a roving fiddler who came into her farming village every six months or so. Once he was spotted, messengers were sent to all the outlying fields and mills and worked ceased; everyone gathered in the barn where they danced all night and danced their cares away.
This spirit is what has motivated Scythian from its inception and their success as an independent band is due largely to their finding a resonance of soul amongst kindred spirits that span all ages and races. This spirit took them from the streets to playing for the US president on St. Patrick's Day and its the enthusiastic response they receive that has made each of their 1,300+ shows unique.
THE calling card of Scythian is their ability to engage their audience no matter the venue or circumstance and truly every Scythian shows ends with people dancing, smiling and covered with sweat. This is best summed up by The Camel-City Dispatch (Winston-Salem, North Carolina): “[Scythian gives] no quarter in their quest to entertain and bring a joy to their music that gives it an irony-free, wide open feel of manic possibility. The playing is technically brilliant, but it is the energy that carries the day."
Lindsay Lou has been making soulful, poignant music for the last decade. An undeniable powerhouse, Lou’s remarkable gifts as a singer, songwriter, musician and performer demand the listener’s attention. Her singing floats over the masterful playing and deep groove of her band with both a fierce intensity and a tender intimacy.
Lindsay Lou’s fourth album, Southland (released April 2018), is a transformative and heart-wrenching ten-song stunner. Lou’s voice—and its unique ability to create an expansive, almost physically tangible soundscape—carries each song on Southland forward, made even more recognizable and potent by bandmates Josh Rilko (mandolin, vocals) and PJ George (bass, vocals) and special guests.
The beauty with which the sounds on Southland slip into the ether is the product of an emotionally difficult time for Lindsay and her band—who, as musicians often do, entered the studio to “hash it out.” The process, demonstrated by the music on Southland, was sincere and stirring and introspective.
Southland kicks off with “Roll With Me,” an expansive anthem with Lou’s robust vocals on full display. “Go There Alone” was written during an “Immersion Composition Society” experiment that Lou does from time to time, and the sound fully developed with the band a little later on. The lazy, beautiful harmonies pull at your heartstrings in a way that feels like home, despite the lonely and bittersweet message. And though songs like “The Voice” and “Southland” were spurred on by more abstract ideas and words, they transformed as collaborators started freestyling with their instruments and Lou simply sang what came to mind. Impressively enough, Lou plays electric bass, electric guitar, and acoustic guitar on the album’s title track. “Southland” is about the natural beauty of the South, which to Lou, adds a sense of calm and connectedness to a region known too often for its divisiveness. Having recently left her home state of Michigan to put down roots in Nashville with the band, the influence of this change is felt throughout the themes and ideas expressed on Southland.
Born the daughter of a coal miner in middle Missouri, Lindsay Lou’s family moved to Michigan shortly after Lindsay was born. She describes her family as close knit and musical, their lives influenced heavily by her maternal grandmother’s radical ideals and zest for life. In fact, if you ask Lindsay, her grandmother—a woman who was once put in jail during the Civil Rights Movement for teaching a lesson on the “f” word as a high school literature teacher—is one of her greatest influences to this day. Armed with her activist spirit, Lou’s grandmother set up a Christian commune in Michigan’s Upper Peninsula for her growing family of twelve, as well as some stragglers. There in a big farmhouse, Lou’s dad was their neighbor.
Raised with this sense of community, Lou recalls always being surrounded by music. So when the time came for her to join a band, for Lou, it felt like finding a home away from home. Her career, like her life, have been full of great moments of kismet. As a youth, Lou built her repertoire by practicing her vocals, and she picked up the guitar so she could play with her Uncle Stuckey, perhaps most musically influential on her of her mother’s siblings. The skills she honed during the days of learning to sing and play with her family led to a wide variety of musical opportunities, singing in choir in high school, attending an elite summer program at Interlochen on scholarship, and winning awards for her talents.
Today, touring nationally and internationally year round, Lindsay Lou and her band continue to collect a mass of friends and fans along the way. Notable U.S. festival plays include Telluride Bluegrass festival, Merlefest, Stagecoach, Redwing, ROMP, GreyFox, and a slew of others. Abroad, they have appeared at Scotland’s Shetland Island Folk Fest and the Celtic Connections tour, Australia’s National Folk Festival, and others. Of the live show, fRoots Magazine reviewed “…[Lindsay Lou is] the most affectingly expressive singer since Amy Winehouse, backed by the new Punch Brothers.” The Boot, who featured Lindsay Lou Band as a “Can’t Miss Act at AmericanaFest 2018, says “...Lou brings introspection and masterful vocal work to her live show.”
In the words of famed bluegrass musician David Grier, who caught Lindsay Lou Band at a recent festival, “Lindsay...sings the way you would want to if'n you could. Phrasing, tone, emotion, it's all there. Effortless seemingly. Simply mesmerizing. Riveting! Don't miss the musical force that is Lindsay Lou.”