The Lemonade Stand
May 13 – Aug 11
Barter Stage II
A comedy by Matthew Fowler
Garret Miller is having a midlife crisis. When he gets fired from the only job he’s ever had, he decides to set up a lemonade stand on the street in front of his upscale suburban house. All the while, his wife is probably cheating on him, his brother is a pariah, and the college girl next door wants to be his lemonade-stand intern. In this dramatic comedy, Garret sets out to prove “the American Dream,” “an American Dream,” or at least his American Dream still exists.
The show has adult language.
A great friend of mine (who happens to be a Baby Boomer) once told me her theory of how the elimination of front porches and common shared-streets in neighborhoods was a major factor in the downfall of society. She argued that, because we don’t know our neighbors, because we don’t share home-cooked meals around the table together, because we don’t show up at each others’ houses unannounced to talk about our days and the crazy person down the street anymore, we are no longer really connected.
It seems, however, that we are more connected now than ever, right? The internet has given us the ability to instantly talk to each other no matter where we are. Facebook lets us meet newborns when they’re seconds old. I can tell you which of my friends is a good cook based on their Instagram. We can look up/stalk the mean girl from high school and laugh at how much better we look than she does. We have immediate, pervasive access to millions of people with a simple click, and can talk to them at anytime (assuming there’s cell phone service).
But are we actually more connected to each other, or do we just feel like we are? Are we communicating, talking and listening, or are we just screaming around each other into the void?
I’m a Millennial and, if you can’t tell, I agree with my friend’s point about porches. What if we were to finally get so fed up with surface conversations and break out of the silo lives we’ve been living in search for something real?
This is where we find Garret and Rachel. Two people with a vast generational gap between them: one a Boomer, the other a Millennial. But both find themselves in the midst of an existential crisis. One has aged out of his usefulness, and the other doesn’t yet know what her usefulness is. He has given up everything in an attempt to go back to his glory days. She hasn’t ever gotten close with someone IRL (in real life), and is longing for human interaction.
What happens when the two of them meet and actually start talking and listening to each other?
What happens if we start taking and listening to each other?
Cast & Credits
Garret — Nicholas Piper
Rachel — Sarah Van Deusen
Terry — David Alford
Morgan — Carrie Smith Lewis
Kid — Owen Griffith / Lucas Shane
Director: Barrett Guyton
Set Designer: Hana Lee
Costume Designer: Lee Martin
Lighting Designer: Camille Davis
Sound Designer: Tony Angelini
Wig Designer: Whitney Kaibel
Stage Manager: Cindi A,Raebel